Christine Daaé is the soprano at the center of The Phantom of the Opera, and her wardrobe is a sewist's dream: Victorian bodices, full skirts, lace robes, capes and one famous masquerade gown. That range makes her easy to adapt for Halloween, a costume party or a theater night. Below are stage gowns, film-inspired versions, thrifted builds and a few closet options, each with the hair, makeup and props it needs. Most of them share the same anchors, which are long brunette curls, soft natural makeup and a fitted waist over a fuller skirt. Get those right and even a simple build reads as her.
Which Christine People Will Recognize
Christine changes clothes more than almost any character in the show, so it helps to know which outfit you're making before you buy fabric. These are the looks most people can name:
- The white and gold performance gown with stars in her hair, from her first solo.
- The white dressing gown and robe from the mirror and lair scenes.
- The blue day dress with a dark cape, and the red scarf for the graveyard scene.
- The pink Star Princess gown from the masquerade, which is the most recognized of all.
- The red and black Aminta costume from the Phantom's own opera.
- The ivory wedding gown and veil from the final scenes.
If you only want one, I'd steer a first-time sewist to the blue dress and cape. It's mostly straight seams, it suits cool October nights, and the red scarf makes it readable even without a mask or a partner in a Phantom costume.
1. Christine Daae Think Of Me Costume
The white and gold gown from her first big solo is the one most people picture. The bodice is fitted ivory, trimmed with gold braid, pearls and small floral appliqués, over a full layered skirt held out by a light hoop or petticoat. A long brown curly wig with a center part gets small white flowers or sparkling stars pinned through the curls. Keep the face romantic: rosy cheeks, defined lashes, a soft pink lip. Pearl drop earrings, pale tights and ivory character shoes finish it. When I trim a bodice like this, I hand-tack the braid rather than gluing it, because glue stiffens and shows through ivory satin. A light bouquet or gold folding fan is easy to carry.
2. Christine Daae Movie Think Of Me Costume
The film version of that gown is softer: a flowing white dress with gold embroidery, an off-the-shoulder bodice, short sleeves and a gathered skirt with lace or chiffon layers. Gold ribbon can be hand-sewn or applied with fabric-safe adhesive around the neckline and waist. Off-the-shoulder bodices slip down if the top edge has no support, so I add a strip of boning or a gripper elastic inside before trusting it for a night. Polished spiral curls with tiny crystals or star pins add stage sparkle. Keep the skin luminous with peach blush, brown liner and rose lips, then add a small pendant, white stockings and low ivory heels. It's comfortable enough for conventions and indoor parties.
3. Christine Daae DIY Think Of Me Costume
You don't need a custom ball gown for the opening performance look. Start from a white maxi, a formal bridesmaid dress or a thrifted prom gown with a fitted top and a wide skirt. Gold ribbon around the neckline, sleeves, waist and hem does most of the work, and a tulle petticoat underneath adds the volume. Faux pearls and fabric flowers on the bodice finish the stage effect. Curl your own long hair or use an inexpensive brunette wig with a middle part. Fresh makeup, pearl earrings and white ballet flats keep it wearable. If the dress still looks plain, elbow-length gloves and a small bouquet fill the gap without any advanced sewing.
4. Christine Daae White Dressing Gown Costume
The white dressing-gown look is the most comfortable Christine there is, and it's easy to assemble. Choose a floor-length white nightdress with a high neck, gathered sleeves and subtle ruffles, then layer a sheer lace robe over it, ideally with a train, ribbon belt or flounced cuffs. Long brunette curls go loose down the back, polished rather than overdone. Gently defined eyes, pink cheeks and a muted rose lip suit it. Add a delicate pendant, ivory slippers and a battery-operated candle; never a real flame near trailing lace. A folded piece of sheet music is a quieter opera-house clue. Slippers won't survive pavement, so save this one for indoor events.
5. Christine Daae Blue Dressing Gown Costume
Pale blue is a softer alternative to the familiar white robe. Build on a satin or cotton nightgown with lace at the neckline and sleeves, and add a matching sheer robe trimmed with silver, tiny bows or pearl buttons. Long brown curls fall over the shoulders with the front pieces pinned away from the face. Cool pink blush, taupe shadow and a soft berry lip complement the blue. Pearl earrings, pale slippers and a vintage-style hand mirror finish it, with a small music book under one arm. Satin shows every water mark, so I steam it from the inside rather than spraying it. It's a good pick for anyone who wants a less elaborate version.
6. Christine Daae Dressing Room Costume
This is Christine just before she steps onstage. A cream blouse with a high lace collar, lightly puffed sleeves and fitted cuffs tucks into a full ankle-length skirt in dusty blue, gray or muted lavender, with a wide sash at the waist. A short fitted vest or cropped bodice adds period detail. Pin the top sections of long curls back with a simple ribbon. Barely-there makeup, pearl studs, buttoned ankle boots and opaque stockings suit the off-duty mood. A hand mirror, hairbrush or rolled sheet music sets the dressing-room scene. All of this can come from thrifted separates, and it's much easier to sit and dance in than a ball gown.
7. Christine Daae Mirror Scene Costume
The mirror scene calls for a flowing white nightgown and a dramatic pale robe. Pick lightweight cotton, lace or chiffon so it moves as you walk, at ankle length with long sleeves, a ruffled neckline or a ribbon-tied waist. The prop that explains the scene is a small ornate hand mirror; add a silver pendant to go with it. Long brown curls frame the face, with luminous skin and softly smoky eyes. White ballet flats or lace-up character shoes stay hidden under the hem. For more drama, drape a silver-gray velvet cape over one shoulder. Chiffon frays the moment you cut it, so if you're making the robe, finish the edges with a narrow rolled hem before anything else.
8. Christine Daae Phantom Lair Costume
For the journey to the Phantom's lair, pair a white gown with a dark cape. Start with a floor-length white nightdress with lace sleeves and a modest scoop or square neck, and add a black, charcoal or deep navy hooded cloak that comes off indoors. Loose brunette curls with a small crystal comb near the crown. The makeup can go a little darker than the dressing-gown version, with gray-brown shadow, defined lashes and a rosy lip. Low black boots keep you comfortable walking. An antique-style lantern with a battery light and a rolled score tied with black ribbon set the mood without anything frightening or graphic.
9. Christine Daae Music Of The Night Costume
Velvet and ivory lace give this one its dreamlike richness. Start with a cream satin gown or lace-trimmed nightdress, then put a long burgundy velvet cloak over the shoulders, ideally with a soft hood, a decorative clasp or a contrasting lining. Velvet is heavy at full length, so the clasp needs to be sewn through a reinforced patch, or it drags the neckline back against your throat. Lightly twist the sides of long chestnut curls back. Pearl-toned shadow, fluttery lashes, warm blush and pink lips suit it. A small crystal necklace, ivory gloves and burgundy or black ankle boots under the skirt finish it, with a battery candelabra or rolled score in hand. The cloak works for plenty of other Victorian looks later.
10. Christine Daae Rooftop Blue Dress Costume
The rooftop scene calls for a blue Victorian-style day dress. Choose a fitted striped or solid-blue bodice with a high neck, long sleeves and a defined waist, paired with a full matching skirt. A small bustle pad underneath gives a historical shape if you want it. Blue is her signature color in the second act, which is why this version reads so clearly to anyone who knows the show. A black or navy cape adds warmth and a strong outline. Half-up brunette curls are held with a blue ribbon or comb, and the makeup stays natural. Black button boots, dark gloves, a small pendant and a folded letter as a prop finish it.
11. Christine Daae All I Ask Of You Costume
For the rooftop duet, combine a structured blue gown with a sweeping dark cloak. The dress can have subtle stripes, covered buttons, fitted sleeves and a full ankle-length skirt. Fasten a black velvet cape at the neck with a silver brooch and let some blue show underneath; if the cape closes completely, the dress disappears and so does the reference. Soft curls with the crown pinned back neatly, rosy blush, brown mascara and a muted pink lip. Practical black lace-up boots and a single artificial rose or folded opera program finish it. Because of the cloak, this is one of the better choices for an outdoor Halloween on a cool night.
12. Christine Daae Wishing Costume With Red Scarf
A bright red scarf is what makes her blue traveling outfit unmistakable. Begin with a blue-gray Victorian dress with a fitted, jacket-style bodice and a full skirt, add a dark cape or hooded cloak, then wrap a long red scarf around the neck so the ends hang visible. Half-up curls with a few soft tendrils by the cheeks. Cool-toned makeup, pearl earrings and black button boots. A small bunch of artificial winter flowers or a folded letter is enough of a prop. The construction is simple: three color blocks do the storytelling. It's a sensible choice for outdoor photos and chilly October evenings.
13. Christine Daae Graveyard Cape Costume
A full-length blue cape turns a simple Victorian outfit into the graveyard scene. Wear a high-necked blue dress, or a white blouse over a floor-length blue skirt, and add a substantial hooded cloak in navy, royal blue or blue-gray wool-look fabric. Secure it with a decorative clasp and add a red scarf for contrast. Long brown curls can be partly hidden under the hood, with natural makeup keeping the face bright. A full circle cape takes far more fabric than people expect, so I'd cut it as a half circle with a hood if you're buying yardage; it still sweeps. Black gloves, opaque tights and sturdy Victorian-style boots make it comfortable outdoors, and white artificial flowers or an old-looking letter finish it.
14. Christine Daae Star Princess Costume
Sparkle is the whole point of the Star Princess masquerade gown. The bodice is pink or blush and off the shoulder, scattered with silver stars, pearls, sequins and floral appliqués, over a wide layered skirt that deepens from pale pink to rose in tulle or organza. Shimmering fringe or silver trim runs along the waist and neckline. That is the name fans use for her stage masquerade costume, so it's the one people will recognize from across a room. A long curly brunette wig takes a starburst tiara, a crystal comb or tiny star pins. Luminous skin, pink shadow, defined lashes and a glossy rose lip, then silver heels, pale gloves and a glittering mask carried in one hand.
15. Christine Daae Movie Masquerade Costume
The film's masquerade look layers pink, black and embroidery. Start with a fitted blush corset-style bodice with black floral decoration or dark ribbon, then a full pink skirt with ruffles, lace overlays and a slightly bustled back. Black gloves and a delicate black choker give the contrast. Structured curls with the front sections pinned up under a jeweled ornament, soft pink makeup, smoky brown liner and a berry lip. Wear black or blush heels and carry an ornate black-and-silver mask. A full ruffled skirt gets heavy quickly; I'd use a lightweight petticoat instead of a hoop and gather the ruffles from a light fabric so the weight doesn't pull the waistband down. It suits formal costume balls and careful cosplay photos.
16. Christine Daae Blue Masquerade Costume
Blue keeps the masquerade grandeur and cools the palette down. Choose a fitted sapphire or powder-blue bodice with silver embroidery, puffed sleeves and a low but modest neckline, over an ombré skirt that shades from pale blue at the waist to deep blue at the hem. Crystal stars, pearl strands and silver ribbon decorate it. Long curls with a matching jeweled comb or small tiara, icy blue shadow, rosy blush and a natural pink lip. Silver gloves, blue character shoes and a handheld silver mask finish it. Ombré is easiest to fake by layering three shades of tulle rather than dyeing one, which is fiddly and easy to blotch. This is a creative take, not a copy of one production.
17. Christine Daae Silver Masquerade Costume
Silver gives the masquerade a moonlit version. Build on a silver-gray ball gown with a fitted bodice, short puff sleeves and a sweeping layered skirt, then add white lace, crystal appliqués and a few tiny mirrored accents that catch light without taking over. Long brown curls with a silver star tiara and matching pins. Gray shadow, defined lashes, pink blush and soft mauve lips keep the makeup cool. Silver flats or low heels, white gloves and a delicate pendant come next, plus a white-and-silver mask with feathers or ribbon. Metallic fabrics photograph flat under a phone flash, so a gown with some texture, such as a jacquard or brocade, gives more back to the camera.
18. Christine Daae DIY Masquerade Costume
A thrifted formal dress can become a convincing masquerade gown with a few cheap additions. Look for a pink, blue or silver prom dress with a fitted top and a full skirt. Sew or glue star appliqués across the bodice, add tulle layers under the skirt, wrap metallic ribbon at the waist and run pearl strands along the neckline. Hot glue will hold appliqués on a stiff bodice, but it peels off stretchy or slippery fabric, so stitch anything on a knit. Curl your own hair or a budget wig and add a small rhinestone tiara. Rosy makeup, low silver heels, elbow gloves and a craft-store mask finish it. Concentrating the trim at the neckline and waist makes it look planned rather than scattered.
19. Christine Daae Pink Aminta Costume
Aminta is the role Christine sings in the Phantom's own opera, Don Juan Triumphant, so this one is for fans who know the show well. It calls for romantic pink and Spanish-inspired theatrical touches. A fitted rose or coral bodice with a square neck, lace sleeves and gold trim goes over a full skirt with tiered ruffles or a contrasting underskirt, and a small lace apron or draped overskirt adds stage character. Wear brunette hair in a low curled arrangement with a pink flower comb above one ear. Warm blush, softly lined eyes and rose lipstick, gold earrings, cream stockings and low brown or gold dance shoes. A decorative fan or small basket is the prop.
20. Christine Daae Red And Gold Aminta Costume
Red gives the Aminta costume a bolder read. Start with a wine-red bodice trimmed with gold braid, lace edging and short gathered sleeves, then a layered red skirt with black or gold ruffles. Leave enough ease in the skirt to sit down; tiered skirts built too narrow ride up when you climb stairs. Add a narrow black sash and a small fabric rose near the hip. Brunette curls go in a low bun or half-up with red flowers and a gold comb. The makeup can be warmer and more theatrical, with bronze shadow, flushed cheeks and berry lipstick. Gold drop earrings, black character shoes and a folding fan finish it, and it holds up for stage or formal cosplay events.
21. Christine Daae Point Of No Return Costume
For the dramatic final performance, pair a dark fitted bodice with a rich red skirt. Choose a black corset-style top with lace sleeves, gold edging and a modest square neckline, and add a burgundy or crimson skirt with ruffles, draped panels and black trim. A narrow embroidered sash ties the two together. Long brunette hair in low curls, with a red flower on one side. Smoky brown eyes, defined lashes and deep rose lipstick, kept elegant rather than frightening. Black lace-up heels, gold earrings and a decorative fan finish it. This one shines in an opera-themed group, standing next to someone dressed as the Phantom in his cloak.
22. Christine Daae Don Juan Rehearsal Costume
A rehearsal look is the simplest way to reference her later scenes. A white high-neck blouse with lace cuffs and gently puffed sleeves goes with a full black practice skirt, a fitted waistcoat and a wide burgundy sash. A light petticoat gives the skirt movement without making it wide. Brown hair in a practical low bun with curled pieces at the face, understated makeup, pink blush and natural lipstick. Black character shoes or lace-up ankle boots. The props carry the idea: a bound music score, a pencil and a folded fan. Almost everything here is a separate you can wear again, which is why it suits school, work or a last-minute party.
23. Christine Daae Serafimo Pageboy Costume
Her pageboy part as Serafimo is a playful change from the gowns. Fitted cream breeches or cropped pants go with a white ruffled shirt, a decorative waistcoat and a short velvet jacket in burgundy, navy or green, edged with gold braid and ornate buttons. Tuck the curls into a matching cap and let a few ringlets show by the cheeks. Natural makeup with rosy cheeks and defined lashes. Knee-high socks, low buckle shoes and white gloves finish it, with a rolled script or a small feathered hat in hand. If you're making the jacket, cut it short and slightly boxy; a fitted modern blazer looks wrong once the braid goes on. It's easy to move in, and few people will turn up dressed the same.
24. Christine Daae Hannibal Ballet Costume
This draws on her life in the opera company's ballet chorus, from the opening Hannibal scene. Start with a cream or gold leotard that covers comfortably, add a knee-length layered tulle skirt in rust, gold and deep red, and wear fitted shorts or opaque tights underneath. Metallic ribbon, coins and light jewel trim go at the waist and neckline; stitch coin trim on rather than gluing it, because coins swing and work glue loose within an hour. Brunette hair in a braided bun or curled half-up under a gold headband. Warm bronze makeup, rosy cheeks and muted pink lips, tan ballet flats, wrist cuffs and a small flowing scarf. It's dance-friendly and fits a group of opera dancers.
25. Christine Daae Hannibal Elissa Costume
Elissa is really the diva's role in the show's opening opera, so this is a what-if: Christine in the lead gown. Go grand with a jewel-toned dress in burgundy, purple, teal or gold, a fitted bodice and a very full skirt, loaded with metallic brocade panels, fringe, faux gems and layered necklaces. Long brown curls go under a tall jeweled crown or headpiece. Gold shadow, strong lashes, warm blush and berry lips suit the scale. Gold gloves and sturdy character shoes go under the skirt. A fan or a staff-shaped prop made from decorated cardboard is safer than anything sharp. This is a build for experienced sewists; brocade frays and needs every seam finished.
26. Christine Daae Marguerite Costume
Christine sings Marguerite in the original novel, which gives you a graceful look few people copy. Begin with an ivory or pale blue Victorian gown with a fitted bodice, a modest neckline and softly puffed sleeves. A full skirt gets lace panels, ribbon bows and a small bustle at the back. Long brunette curls go partly under a floral headpiece or narrow ribbon. Keep the makeup delicate, with luminous skin, pink cheeks, brown liner and rose lipstick. A cameo necklace, ivory gloves and low buttoned boots finish it, with a small bouquet or an old-fashioned songbook. It's faithful to her classical background, and it gives you a change from the famous masquerade and wedding gowns.
27. Christine Daae Victorian Day Dress Costume
A Victorian day dress captures her everyday elegance without a stage gown. Pair a cream or white high-neck blouse with a full blue, mauve or gray skirt, layer a fitted jacket or buttoned bodice over the top, and add a small bustle pad for shape. A rolled towel pinned inside the back waistband works as a bustle pad if you don't want to sew one. Arrange the hair in a low braided bun with curled tendrils. Natural makeup, pearl earrings and a simple pendant come next, then gloves, black ankle boots and a structured fabric handbag with rolled sheet music peeking out to say singer. The jacket comes off when a room warms up, which makes it easy in October weather.
28. Christine Daae Opera Rehearsal Costume
For a relaxed backstage look, mix dancewear with Victorian rehearsal pieces. A white cotton blouse over a high-neck cream camisole, a long black or charcoal skirt with room to move, a dusty blue sash and a cropped fitted vest on top. Braid the hair into a bun and leave a few loose curls at the temples. Mascara, blush and a tinted pink balm are all the makeup it needs. Black ballet flats or low character shoes with opaque tights. Carry a music folder, a pencil and soft dance slippers tied together with ribbon. On its own it's understated, so it's at its best in a themed group with other opera-house characters.
29. Christine Daae Stage Wedding Costume
The stage wedding gown makes a dramatic finale costume. Look for an ivory ball gown with a fitted bodice, a sweetheart neckline, lace sleeves and a wide structured waistband. Diagonal ruffles, layered lace and a bustle or gathered back panel build the volume; the stage version is known for that heavy lace and strongly theatrical shape, while other adaptations drape more softly. Long brunette curls go under a cathedral-length veil on a pearl comb. Glowing skin, rosy cheeks, brown liner and pink lips. Pearl earrings, ivory gloves and comfortable cream heels finish it, plus a small white bouquet. A long veil catches on every chair back, so I sew a small loop near the end to hook over your wrist.
30. Christine Daae Movie Wedding Costume
The film's wedding look is softer: an off-the-shoulder ivory gown with short sleeves and subtle gold decoration or lace edging on the bodice. An asymmetric draped overskirt sits over a full ruffled underskirt, with a petticoat to keep the shape light enough to walk in. Polished curls go under a long sheer veil, with a sparkling comb or small floral headpiece that doesn't fight the gown. Soft gray-brown eyes, pink blush and rose lipstick. A delicate pendant, white gloves, low ivory heels and a compact bouquet of pale flowers. Asymmetric drapes are easiest to get right on a dress form or a friend, pinning by eye rather than measuring. It's less structured and easier to wear than the stage version.
31. Christine Daae DIY Wedding Costume
A thrifted wedding dress can become an affordable Christine with lace, ruffles and the right accessories. Choose an ivory gown with a fitted waist and a full skirt, even a plain one. Gather lace diagonally across the skirt and sew pearl trim around the neckline. A separate lace bolero adds sleeves without cutting into the dress. Thrifted bridal gowns are usually a slightly different ivory from new lace, so hold the lace against the dress in daylight before you buy it. A long brown curly wig goes under an inexpensive cathedral veil on a pearl comb. Soft romantic makeup, pearl earrings, cream ballet flats and artificial white roses tied with ivory ribbon finish it. Put the trim on the bodice, skirt front and veil, where photos look.
32. Christine Daae Winter Graveyard Costume
Cold weather calls for a warmer graveyard outfit. Begin with a long-sleeved blue maxi dress, or a white blouse tucked into a heavy blue skirt, and layer a floor-length navy cape in wool-look fabric, fleece or lined velvet. Fleece is the easiest to sew because it doesn't fray, so the hem can stay raw. A vivid red scarf and black gloves add warmth and contrast. Brunette curls go partly under the hood, with natural makeup and rosy cheeks. Black tights and flat lace-up boots make hours outdoors bearable. A small wrapped bundle of artificial white flowers is the prop. It holds the Victorian shape while covering enough for parades, outdoor parties and seasonal photos.
33. Christine Daae Angel Of Music Costume
White, silver and pale blue make an ethereal costume based on her belief in an unseen teacher, the Angel of Music. Wear a flowing ivory dress with long sheer sleeves, lace panels and a softly gathered skirt, and fasten a translucent pale blue robe or cape over it with a crystal brooch. Brooches tear sheer fabric, so back the spot with a small square of interfacing first. Long brunette curls with tiny silver stars throughout. Pearl shadow, pink blush, subtle highlighter and soft rose lips. A crystal pendant, white ballet flats and silver ribbon at the wrists, with an open music book or a small battery-lit lantern. It's a magical take rather than a stage copy.
34. Christine Daae Modern Closet Costume
This turns everyday clothes into a modern Christine. Tuck a white lace blouse into a long blue maxi skirt, add a fitted black vest or cropped jacket for a hint of Victorian tailoring, and drape a red scarf at the neck with a dark cape, long cardigan or coat on top. Loose brown curls with the front pinned back by a pearl clip. Rosy makeup, a delicate pendant and small pearl earrings. Black ankle boots make it practical for walking. Props matter more here than anywhere else on the list, because the clothes alone are just clothes: carry sheet music and a white masquerade mask so nobody has to guess. It's the one to choose when comfort and budget win over accuracy.
35. Christine Daae Plus Size Costume
A plus-size Christine should be built around real support and room to move. Choose a blue or ivory maxi dress with a defined waist, a stretch back panel and a full skirt. A lace bolero, fitted vest or soft corset belt gives the period line without the squeeze of a cheap costume corset, which often has thin boning that twists and digs in. A sweeping navy cape and red scarf reference her traveling wardrobe, and pearl trim brings in the opera house. Half-up curls and rosy, luminous makeup. A pendant, opaque tights and wide-fit black ankle boots or supportive flats finish it, with a light music book or mask in hand. Every piece here can be adjusted to fit.
Hoops, Petticoats and Getting Through a Doorway
Half the gowns here depend on what's under the skirt. A hoop gives the widest, smoothest bell, but it's hard to sit in and it swings into people at a crowded party. A gathered tulle petticoat gives softer volume and squashes when you sit, which is why I use one for most evenings out.
- Measure the hoop or petticoat with your shoes on, then hem the skirt over it. Hemming without them leaves the front too short.
- Pick a hoop with fewer, collapsible rings if you'll be in a car; lift the back ring as you sit so it doesn't flip up at the front.
- Layer a smooth slip between a scratchy petticoat and your legs, or you'll feel the net all night.
- Turn sideways through doors and keep wide skirts away from candles and heaters. Tulle and polyester catch fast.
Long Brunette Curls on a Wig or Your Own Hair
Her curls are the one detail every version shares. On your own hair, heatless methods such as foam rollers or braids set overnight give loose ringlets that last longer than a quick iron curl. Finish with a light hairspray and don't brush them out; separate them with your fingers instead.
With a wig, a pre-curled long brunette style saves hours, but cheap synthetic curls tangle at the nape where they rub on a collar or cape. Keep a wide-tooth comb in your bag, avoid curling irons unless the wig is labeled heat-safe, and store it on a stand or loosely in a bag so the curls keep their shape for the next party.
Curls, Lace and a Fitted Waist Carry Every Christine
Every version above works because it keeps a clear reference while staying wearable. Full ball gowns give the big photographs; blue dresses, lace robes, rehearsal separates and thrifted formalwear give simpler routes. Long brunette curls, natural makeup, sheet music, pearls and Victorian-style boots tie each one back to the young singer. Follow one production, mix details from several or build your own from your closet. My advice from the sewing table is to put your time into the bodice fit and the hair, because those are what people see first, and let the skirt be as simple as your skill and budget allow.
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